As the directors came up with more inventive productions, the singers became savvier in front of the camera. During the pandemic, opera enthusiasts were entertained with short operas online, often gratis. Thanks to film, opera houses have not only been able to keep their key singers gainfully employed, but in the public eye too. In the rock and pop industry, video shorts have of course been around for many years to promote artists and record companies.īut one of the positives to have come from covid and lockdowns, is the rise of the filmed opera. If you are thinking that all this razzamatazz is rare for classical music promotion, you’d probably be right. In the screening theatre, Orliński sits in the front row with an audience of journos, prs, record company execs behind him. Countertenor, Jakub Jósef Orliński, fresh from his successes at the Royal Opera, is starring in a film of Vivaldi’s Stabat Mater. On a wet February evening, I attend a cinematic event at London’s Soho Hotel. Jakub Jósef Orliński stars in film of Vivaldi’s Stabat Mater
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